Movie Analysis Do The Right - 1304 Words

The cinema is one of the most unique forms of media because it has the ability to make a fictional story socially powerful. The simplest of elements in a film are able to change how the audience interprets a scene and give it a deeper meaning. In Spike Lee’s 1989 film, Do the Right Thing, many small elements come together to impact individual scenes as a whole. This controversial film illustrates a single day of rising events in a black neighborhood. It shows the frustration of the African-American population in how they are treated and how it triggers their own reactions. The story line comments on other racial stereotypes as well, including Hispanics, Koreans, Italians, and Caucasians. A powerful scene in the film is one involving the character Radio Raheem, a mysteriously quiet black character known in the film to use a more hostile approach for equality. In this scene, he tells the main character Mookie a tale of the personified relationship of love and hate. There are many components of the Love and Hate scene in Do the Right Thing that are important when analyzing the sequence as a whole. One of the most prominent aspects is the camera angle and cinematography. The scene itself is one long take— meaning there are no cuts in the scene which is over a minute and a half. This in itself is significant because it forces the viewer’s attention with no breaks. It shows that Radio Raheem’s story is forward and needs to be listened to without hesitation. His story personifiesShow MoreRelatedDo The Right Thing : Movie Analysis967 Words   |  4 PagesThroughout the film Do the Right Thing, we continuously observe racial conflict that builds up to such an extreme point that it leads to a fight for power. This movie portrays the struggles and realities of a neighborhood with white and black African American people. This can be seen in many instances for example when Buggin Out, Radio Raheem, and Smiley march into Sal s and de mand that Sal change the Wall of Fame. Another vital instance shows the height of power struggle. It is when the hugeRead MoreDo The Right Thing - Movie Analysis1689 Words   |  7 PagesSpike Lee’s movie â€Å"Do the Right Thing† portrays a time in American history when the post-civil rights movement was still fresh in everyone’s mind. It is 1989, and Martin Luther King Jr and Malcolm X have placed their stamp on the country. While MLK preached for peace, Malcom X wanted the people to fight back in self-defense. This movie portrays these two views side by side through several different scenes. The movie is set in the black community of Bedford-Stuyevesant on the hottest day of theRead MoreMovie Analysis : Do The Right Thing 976 Words   |  4 PagesHancong Jiang Identification in the Cinema Draft 4 04.15.2015 Racial identification in Do the Right Thing Do the Right Things begins with the Rosie Perez dancing scene with the music â€Å"fight the power†. The four minutes scene shadows the later plot of the film, in which the continuously changing of the outfits and the intensified movement of the dancer may imply how the tension between different racial identification increases. Both the color and the movements of the dancer have strong visual impactRead MoreAnalysis Of The Movie Do The Right Thing Essay1329 Words   |  6 Pages Do the Right Thing Cameron Hughes Expository Writing 9/30/2016 Introduction In Spike Lee s Do the Right Thing, the story takes places in 1989, another year in the long struggle for equality for African-Americans. The film portrays the racial tensions between locals of the neighborhood and an Italian-American family in the majority Black and Hispanic neighborhood of Bedford-Stuyvesant (Bed-Stuy) in Brooklyn, New York. Spike Lee shows us what a day in the life of the Brooklyn neighborhoodRead More Analysis of the Spike Lees Movie Do the Right Thing Essay533 Words   |  3 Pages Analysis of the Spike Lees Movie Do the Right Thing For my shot analysis I chose a shot from the Spike Lee Movie Do the Right Thing. This is the second shot following the climactic riot scene. It features Da’ Mayor and Mother Sister reacting to the hellacious events of the previous night. The block was just devastated by a melee that broke out because the police killed Radio Raheem after he and Sal got in an altercation that was triggered by the volume of Radio Raheem’s boom box. Though at aRead MoreArundel Partners Case Analysis Essay1441 Words   |  6 Pagesspootyhead Apr 17, 2007 Arundel Partners Case Analysis ----------------------------------- Arundel Partners Case Analysis Executive Summary: A group of investors (Arundel group) is looking into the idea of purchasing the sequel rights associated with films produced by one or more major movie studios. Movie rights are to be purchased prior to films being made. Arundel wants to come up with a decision to either purchase all the sequel rights for a studios entire production during a specifiedRead MoreArundel Partners Case Analysis Essay1499 Words   |  6 PagesArundel Partners Case Analysis Executive Summary: A group of investors (Arundel group) is looking into the idea of purchasing the sequel rights associated with films produced by one or more major movie studios. Movie rights are to be purchased prior to films being made. Arundel wants to come up with a decision to either purchase all the sequel rights for a studios entire production during a specified period of time or purchase a specified number of major films. Arundels profitabilityRead MoreSolutions to Arundel Partners Case1450 Words   |  6 Pagesthe idea of purchasing the sequel rights associated with films produced by one or more major movie studios. Movie rights are to be purchased prior to films being made. Arundel wants to come up with a decision to either purchase all the sequel rights for a studios entire production during a specified period of time or purchase a specified number of major films. Arundels profitability is dependent upon the price it pays for a portfolio of sequel rights. Our analysis of Arundels propos al includes aRead MoreAnalysis Of The Movie Arundel Partners 779 Words   |  4 PagesArundel Partners wants to buy the rights to produce the sequels in advance rather than negotiating on a film-by-film basis because otherwise, the studios will have an informational advantage. Later on in the production process, studios will have a greater idea of the quality of the film, making them less likely to sell the rights to more profitable sequels. Advanced rights to the entire portfolio of films mitigates this informational asymmetry and creates an options-pricing model for Arundel. ThereRead MoreAnalysis Of Divergent The Movie 1197 Words   |  5 PagesAnalysis of Divergent The movie Divergent can be interpreted and looked into deeply to discover the missing and hidden features within the film. Throughout the movie, there are many twists and turns. It takes the viewers on a journey. The movie is easy to understand with what is going on, but at times the plot is about mystery. When viewers go to the theater to watch the film, they tend to miss the hidden features of the movie. They only tend to focus on certain points, and by paying greater attention

Implications Of Improper Protein Folding - 1595 Words

Implications of Improper Protein Folding in Alzheimer ’s Disease Stephen Sewell Schreiner University Dr. McGinnis Biochemistry Fall 2012 Abstract This paper is a brief review of the understanding of Alzheimer’s as it is generally seen today in the medical field, by scientists, physicians, and other healthcare providers alike. It examines the main hypothesis for the pathogenesis of the disease and the physical changes that the disease causes to the brain. The paper will then detail some of the treatments that are given to the patient. These include the drug related and non-drug related treatment options that are available, and discusses at what stage of the disease that they are used. Introduction Alzheimer’s disease is a neurodegenerative disorder characterized by the loss of memory and other cognitive abilities essential for the function of a healthy human being. Neuropathologically, the disease is characterized by the presence of neurofibrillary tangles and senile plaques, impaired synaptic function and cell loss.1 There is a major loss of cholinergic, noradrenergic, and dopaminergic neurons while at the same time there is an accumulation of free radicals and oxidative stress, leading to lipid peroxidation and neuronal degeneration in the tissues of the brain. Not only are there major physiological changes in patients with Alzheimer’s disease, but with these changes come cognitive symptoms as well. These include disruptions in memory, language, thinking,Show MoreRelatedSources of Ethics20199 Words   |  81 PagesETHICS: 32 Introduction: 32 HumGen: 37 Nuffield Council on Bioethics: 39 The European Union’s: 43 2.22- GENETICAL BEHAVIOR: 44 2.23- ETHICS OF BEHAVIOR HAS A BIOLOGICAL BASIS? 47 Behavioural Ethics And Genetics Study: 48 Implications of Behavioural Genetics Research In Society: 50 How the genes influence behaviour and ethics: 52 2.3- PHILOSOPHICAL: 55 2.31- Contribution Of In Ethics By The Source Of Philosophical Systems: 55 2.32- Contribution of Aristotle: 57 Read MoreAn Evaluation of an on-Farm Food Safety Program for Ontario Greenhouse Vegetable Producers; a Global Blueprint for Fruit and Vegetable Producers51659 Words   |  207 Pagesgetting pretty serious at this point. Dani has been extremely supportive and caring through this project, even on those frustrating not-so-productive days. Not once did she complain about my lack helping out around the house: skirting the laundry folding, dinner preparation and dish washing; all of which I blamed on this document. And she was always there when I needed her the most. I recently wrote in an op-ed for the International Association for Food Protection s student group that thereRead MoreDeveloping Management Skills404131 Words   |  1617 Pagesminor, it would not be likely to offend you or evoke a strong defensive reaction. That is, it would probably not require that you reexamine and change your self-concept. On the other hand, the more discrepant the information or the more serious its implications for your selfconcept, the closer it would approach your sensitive line, and you would feel a need to defend yourself against it. For example, having a coworker judge you incompetent as a manager may cross your sensitive line if you think you

A DollS House Essay On Gender Example For Students

A DollS House Essay On Gender The prominent theme in A Dolls House is that of male supremacy and the subsequent suppression of womens participation in society, particular to the nineteenth century and early twentieth century. In conveying the prevalence of Noras constraints and the restrictions placed upon her, Ibsen uses subtle visual nuances of space within the setting to compliment and emphasise the idea of imprisonment and limitation. One of the most evident of these being the idea of the set on stage acting as a realist representation of a house, symbolic of the dolls house that Nora, the metaphorical doll, inhabits. This structural division of space into the interior and the exterior of the house carries with it social and cultural implications. Gender roles are spatially defined in relation to the inside and the outside of the house. Traditionally it is the woman who makes the house into a home, her home, while the world of commerce, war, travel, the world outside, is a mans world. Seeing the within and the without in terms of the outdoors and the indoors immediately transforms the theatrical space into a gender-charged environment, naturally fitted for acting out the drama of man and woman, Nora and Torvald. Similarly, in developing the plot of the play Ibsen crafts certain scenes to reflect their relevance and importance through highlighting the location of a dialogue and the movements of characters within a given area. For example with Krogstads visit to the house while Nora is in preparation for the Tarentella, their intensely suspicious and secretive discourse regarding the loan takes place in the kitchen, the room furthest away from Torvalds study, with Krogstad having entered through the back door of the house. The atmosphere created is one of concealment and deviousness with an intensity of fear and anxiety on Noras part. The play is immediately introduced in a realist setting of the Helmers house describing the layout of where all the events unfold. Throughout the play Nora remains inside this setting and only leaves to attend the fancy dress party upstairs inside the building, never venturing out into the world of men as it were. She is confined within the house and therefore visually we can see the physical restrictions imposed upon her. This is extended to incorporate Torvalds study as well since it is an area offstage in a sense because the audience are never invited to survey this area of the house due to the connotations it has as a male stronghold where women are prohibited entry; a possible synecdoche for the institutions of a society in which men are superior and the predominant ruling class. A further indication of the powerless isolation that Nora endures is that she is only ever socialised through the outside interventions of others. It is only with the daily visits from Dr Rank it seems and the surprise visit of Kristine that she is able to express herself to a greater degree of freedom than with Torvald and therefore maintain a somewhat subconscious pretence of happiness when under such restrictions, for we see that it is Torvald who forbids her to talk of her childhood friends and wants her exclusively to himself. The happenings of the play evolve predominantly around Nora as the central heroin figure and therefore the attention of the audience is focused upon the doll and those who interact with her, from the outside such as Kristine and Dr Rank and even her own children who enter from outside of the house, only to be likewise imprisoned due to the somewhat different reasons of Noras insecurity and anxieties about her own morality; this remains consistent with the idea that the children too are dolls within the house, since they are confined to an extent and act as objects almost for Nora to play with just as she says she was Torvalds doll-wife and her Daddys doll child. .u87d6b3fff7faff65610eecde5b5923ee , .u87d6b3fff7faff65610eecde5b5923ee .postImageUrl , .u87d6b3fff7faff65610eecde5b5923ee .centered-text-area { min-height: 80px; position: relative; } .u87d6b3fff7faff65610eecde5b5923ee , .u87d6b3fff7faff65610eecde5b5923ee:hover , .u87d6b3fff7faff65610eecde5b5923ee:visited , .u87d6b3fff7faff65610eecde5b5923ee:active { border:0!important; } .u87d6b3fff7faff65610eecde5b5923ee .clearfix:after { content: ""; display: table; clear: both; } .u87d6b3fff7faff65610eecde5b5923ee { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u87d6b3fff7faff65610eecde5b5923ee:active , .u87d6b3fff7faff65610eecde5b5923ee:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u87d6b3fff7faff65610eecde5b5923ee .centered-text-area { width: 100%; position: relative ; } .u87d6b3fff7faff65610eecde5b5923ee .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u87d6b3fff7faff65610eecde5b5923ee .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u87d6b3fff7faff65610eecde5b5923ee .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u87d6b3fff7faff65610eecde5b5923ee:hover .ctaButton { background-color: #34495E!important; } .u87d6b3fff7faff65610eecde5b5923ee .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u87d6b3fff7faff65610eecde5b5923ee .u87d6b3fff7faff65610eecde5b5923ee-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u87d6b3fff7faff65610eecde5b5923ee:after { content: ""; display: block; clear: both; } READ: Dave: A Scandal In The White House EssayIn developing the qualities of Torvald during the play, Ibsen demonstrates his superciliousness through precise instances of superficial pettiness such as his irritation at Krogstads tactless behaviour, with hisTorvald this and Torvald that, and his ability to return to normality having physically burnt the IOU despite the emotional and long-lasting consequences of this revelation in his relationship with Nora. However more evocative in terms of theatrical space is the idea that Torvald cant stand the sight of mending lying about, and therefore Kristine is forced into the other room with the children and maid, Anne Marie, once Torvald arrives back. This also highlights Noras attitude towards pleasing her husband and complying with his conformities. However, in contrast to Noras obedience there is her ability to subtly manipulate Torvald through her physical actions and seductively playful manner in moving about the stage and around Torvald. Traditionally, the house has been associated with a womans social place, but it can also be seen to stand for her body and her sexuality and therefore become the location where she is most vulnerable. In the theatre, the contrast between interior and exterior space, between house and outside, could be eroticised, as in some productions1 of A Dolls House, and the idea of Krogstad gaining access into the house, already threatening and devious due to the brooding question as to the loan, takes on almost explicit sexual overtones of penetration and violation. While the male characters are often intent upon entering space designated as a womans sphere of influence, Nora is faced with trying to avoid being trapped, contained and restricted by the conformities embodied in Torvald. Having fixed her anxieties on the loan and Krogstads letter, Nora, towards the end of Act III recognises her imposed limitations and so aims to escape the restrictive space of her house. Therefore her anger and disappointment finds its theatrical expression in the actual, physical act of leaving the house, her children and her husband and venturing into the outside world in order to explore both the outside of her world and the inside of her being.

The Glass Menagerie Essay Example

The Glass Menagerie Paper ‘The Glass Menagerie’ by Tennessee Williams incorporates a numerous amount of themes throughout the play. As it is known to somewhat reflect on the playwright’s own life, some of these themes are notably profound and evocative, allowing the audience to maintain an ample grasp on the messages put forward by Williams. Primarily, the idea of memory is established in Scene One. The play inaugurates with lengthy description as to the setting and stagecraft, followed by the entrance of the narrator, Tom Wingfield, who soon states that ‘the play is memory’ and makes it clear that we are viewing events through the lens of his memories, intensifying emotions and extracting significances in the way that memories do. When the scene progresses, we as an audience also have an insight to recollections within recollections, such as those of Amanda as she recounts her days as a girl and her inept attempts to relive this time of her life. This complex theme is an imaginative device which Williams uses effectively to express truth, and one of the methods he uses to establish this is through the stagecraft. To begin with, the lighting is key in the portrayal of memory, because it displays the interior as ‘dim and poetic’. This not only helps us to distinguish the contrast between the past and the present, but reflects how the memories which the character of Tom will be showing us are coated with unhappiness and pain, and creates the effect of a thoughtful, slightly morose mood. We will write a custom essay sample on The Glass Menagerie specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Glass Menagerie specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Glass Menagerie specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Furthermore, Williams’ precise and detailed descriptions of the stage setting, such as ‘murky canyons of tangled clotheslines, garbage cans, and the sinister latticework of neighboring fire escapes’ allow him to achieve a dreamlike atmosphere, as opposed to straightforward realism. Tom himself tells us that the play is ‘sentimental’ and ‘not realistic’ and Williams draws attention to the ruse of the theatre by introducing lowered and raised gauze scrims during the play and shifting walls, whilst representing the mysterious attribute that memory brings. When he asks us to peer through the gauze, Williams reminds us that we are being taken back in time and made to observe things from a particular point of view. The theme of memory is also depicted through the use of music in Scene One. Just before Tom begins to explain how it is ‘a memory play’, the stage directions indicate for music to be played, and this aids the emphasis on this theme by again showing the difference between the past and present. It is clear that the playwright is trying to connect music with the theme as Tom even tells us, ‘In memory everything seems to happen to music’. In relation to the setting, lighting and music, the screen device is used a significant amount. The legends which appear recurrently on screen, such as ‘Ou sont les neiges d’antan? ’ draw attention to the way in which memory works by directly forcing the audience to think about how circumstances in the play are so different now to how they used to be in the characters’ lives, and create a wistful effect. Additionally, another theme established in Scene One is that of dreams and illusions. The characters in ‘The Glass Menagerie’ are constrained by their fantasies of financial security, solidarity and escape. The ever conventional Amanda Wingfield harbours ambitions of reaching a time when neither her children nor herself need be concerned about their circumstances economically, and in order to obtain this dream, she believes she must find her daughter a suitor. On the other hand, Tom and Laura are not such worldly characters, and whilst the latter wishes only to be permitted to coast through life without any demands, the former, although also having no desire to connect with others, has a slightly clearer vision of an aim in life, and values seclusion as a way of being able to continue with his creative work as a poet. As a playwright, Tennessee Williams portrays this theme through many different techniques. Firstly, the setting is used by showing the family home as ‘dim’ with ‘old-fashioned’ features; a place from which the characters would evidently love to escape, Tom in particular. Therein hangs ‘a blown-up photograph’ of Amanda’s ex-husband and Tom and Laura’s father, which is a constant reminder to Amanda of the life she once had and emphasizes not only the dreams she has of finding Laura a ‘gentleman caller’ and attaining financial security, but also how she would possibly like to return to the days when she was young and had considerable male interest. A further theme established by Williams in Scene One which links in with dreams and illusions is entrapment. In spite of the near impossibility of each character’s dreams being accomplished, Williams is adamant that entrapment must be resisted despite the suffering it entails, and this is primarily introduced through the character portrayal of Tom. As the audience, we learn that the only way to evade everlasting entrapment is through acting without pity. If Tom is to one day become his own man, he is forced to step away from his mother’s constant persistence and pursue freedom. He does not have a real desire to behave harshly towards his family, as when Amanda begins to tell the story of ‘one Sunday afternoon in Blue Mountain’ yet again, he begins grumblings of ‘I know what’s coming! ’ and ‘Again? ’ but does submit, however as the scene progresses he incorporates more frequents digs, such as ‘Isn’t this the first you’ve mentioned that still survives? ’ to show a disregard of the men Amanda is so proud of when she describes the fates of them all. He knows that this life is in no way one that he wishes to be a part of forever, and the only method he knows to escape is by behaving with no pity. Tennessee Williams also establishes the theme of entrapment through stagecraft, as the fire escape on which Tom stands at the beginning of the scene is a visually prominent part of the set which symbolizes the incarceration which Tom feels, and the prospect of release. By using stage directions, Williams characteristically fills the fire escape with symbolic weight, stating that the buildings are burning with the ‘slow and implacable fires of human desperation’, and by positioning Tom there to address the audience it underlines how he stands alone between the world outside and the confinement of the apartment and highlights the anguished choice he makes to leave his family further on in the play. This creates an emotional effect on the audience, who feels a sense of compassion towards him for the duties he has had to take on in the past in place of the father who so carelessly abandoned him and his family. In addition, the theme of endurance is established in Scene One. We start to see the Wingfields struggle against emotional and physical confinement, such as the previously mentioned difficulties Tom faces in wishing to leave the house, and also how Laura doesn’t feel the same way as her mother in regards to ‘gentleman callers’ due to her disability and lack of self-confidence. However, Williams does not provide the characters with solutions to these troubles but instead indicates that they possess positive characteristics which encourages them to carry on. For example, Scene One shows Amanda constantly wittering on with pride about how ‘one Sunday afternoon in Blue Mountain’ she received ‘seventeen! ’ gentleman callers, to the slight irritation of Tom, who, accustomed to this, has predicted it, but Laura is aware of how the family need to stick together and respond to each other needs, and advises Tom to ‘let her tell it’. Therefore, through the portrayal of each character, Williams shows that endurance is an important theme in ‘The Glass Menagerie’, to the effect that we as an audience appreciate each of them individually for their qualities as well as the times when they err. Thus, we can see that Scene One of ‘The Glass Menagerie’ by Tennessee Williams encompasses a number of themes in a variety of different ways, all to meaningful and dramatic effects. We learn that some of these methods include character portrayal, setting and stagecraft, but all are equally significant and allow us to grasp the key messages portrayed by the playwright.